HAUPTWERK I C-g‘‘‘
| Principal | 8' |
| Gedeckt | 8' |
| Viola | 8' |
| Octave | 4' |
| Spitzflöte | 4' |
| Quinte | 2 2/3' |
| Doublette | 2' |
| Terz | 1 3/5' |
| Quinte | 1 1/3' |
| Mixtur 3-4 fach | 2' |
| Oboe | 8' |
The instrument for Uhldingen is examined by Thomas Pangritz from Constance as an expert and follows our well proven, many-sided “change slider concept”. In spite of few stops only, the instrument opens itself for the romantic music epoch because of the integrated Schwebung and the Subcoupler.
The asymmetrical creation refers to the situation of istallation and the space geometry of the modern community centre. Inauguration 1st Advent 2012.
POSITIV II C-g‘‘‘
| Principal 1 | 8' |
| Gedeckt 1 | 8' |
| Viola 1 | 8' |
| Octave 1 | 4' |
| Spitzflöte 1 | 4' |
| Quinte 1 | 2 2/3' |
| Doublette 1 | 2' |
| Terz 1 | 1 3/5' |
| Oboe 1 | 8' |
| Schwebung | 8' |
PEDAL C-f‘
| Subbass | 16' |
| Flötbass | 8' |
| Fagott | 16' |
1 Wechselschl. Man. I
Tremulant auf beide Manualwerke wirkend
Koppeln mechanisch: II/I, I/P, II/P, II/I 16’